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Artist Profiles

Artist Profiles - Composer Charles Earland

Charles Earland was a jazz composer, organist, and saxophonist in the soul jazz idiom. Earland was born in Philadelphia in May 24, 1941. He learned to play the saxophone in high school. He played tenor with Jimmy McGriff at the age of 17 and in 1960 formed his first group. He started playing the organ after playing with Pat Martino, and joined Lou Donaldson's band from 1968 to 1969.

The group that he led from 1970, including Grover Washington, Jr., was successful, and he...

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Copyright 2018 Fresh Air. To see more, visit Fresh Air.

WCSU-FM will kick off their Membership Drive on May 21 under the theme - “WCSU Is a Community Treasure.” This theme was chosen because while there is a long history of service, many people still don’t know about the depth of programming WCSU-FM offers.  WCSU is the best kept secret on the FM dial.

Bernard "Pretty" Purdie is on the shortlist of the hardest-working drummers in the history of recorded music. The list of artists he's worked with, on the other hand, is quite long: Duke Ellington, Count Basie, Dizzy Gillespie, Lloyd Price, James Brown, Steely Dan — on and on stretching back to 1962. On many of those recordings, you can hear a triplet rhythm that's come to be known as the Purdie Shuffle.

In a message, which took to church not only those in attendance at the royal wedding of Britain's Prince Harry, 33, and American actress Meghan Markle, 36, on Saturday — but millions watching from across the world — Bishop Michael Bruce Curry preached on the "redemptive power of love."

Curry, the first African-American presiding bishop of the American Episcopal Church encouraged all receiving his message to discover the power of love to make of "this old world a new world."

At Columbia Drive United Methodist church in Decatur, Ga., the congregation bowed their heads under a brightly lit cross and prayed for their fellow worshiper — Stacey Abrams, the former minority leader in the Georgia legislature now running for governor.

Science fiction often offers us cautionary tales about the role technology may play in humanity's future, but Ray Bradbury's 1953 novel Fahrenheit 451 isn't content to merely caution. It shrieks. It wails. It pulls out its hair, gnashes its teeth and rends its garments. It grabs us by the lapels and shakes us, screaming dire threats. It's ... unsubtle.

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This story has been set to unpublished due to the NPR API updating this story earlier and now the NPR API is unavailable. If the NPR API has deleted or changed the access level of this story it will be deleted when the API becomes available. If the API has updated this story, the updated version will be made available when the NRP API becomes reachable again. There is no action required on your part. For more information contact Digital Services Client Support

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