WCSU

Stephen Thompson

For Tunde Olaniran, art is about big ambitions, bigger ideas and the relentless pursuit of joy and comfort within his own skin. The Flint, Mich., native's bold and wildly dynamic 2015 debut Transgressor announced him as a playful multi-hyphenate provocateur who sings, raps, writes and choreographs from a vast well of creativity.

Hometown: Los Angeles, California

Genre: Folk / Funk / R&B

Why We're Excited: When singer and violinist Sudan Archives discovered the way the violin is played in Northeast Africa, she overhauled her sound to accommodate it. Now, her slippery pop and soul music incorporates sharp and hypnotic violin lines like the ones that animate the irrepressibly clattering "Come Meh Way."

SXSW Schedule:

Hometown: London, England

Genre: Jazz

Why We're Excited: Ezra Collective keeps one foot planted in traditional jazz but lets the other wander far and wide, bringing back rhythmic traces of hip-hop and Afrobeat. On the new Juan Pablo: The Philosopher EP, Ezra Collective sounds alternately taut and spacey in tunes that don't stay in one place long, let alone recede into the background.

SXSW Schedule:

Hometown: London, England

Genre: Jazz

Why We're Excited: Tenor saxophonist Nubya Garcia exudes a kind of breezy, sultry, downtown cool — no surprise, given her history as a club DJ. On her debut, Nubya's 5ive, she and her band strike an engrossing balance between long stretches of dreamy exploration and surges of vital, virtuosic intensity.

SXSW Schedule:

Hometown: Montreal, Canada (born/raised in Kinshasa, Democratic Republic of Congo)

Genre: Funk / Pop

Why We're Excited: Congolese Canadian Pierre Kwenders sings in five languages — and incorporates at least that many genres into his sultry, swaying, busy, funky pop music. Named for a Henry Miller trilogy, "Sexus Plexus Nexus" brings sex talk and saxophones together, where they've always belonged.

SXSW Schedule:

Hometown: Austin, Texas

Genre: R&B

Why We're Excited: The daughter of Ethiopian immigrants, Mélat Kassa grew up on her parents' lovingly curated mixture of African pop and American R&B. It shows in her own sleekly rendered soul sound, which fits right in with the likes of SZA while still making room for a song sung in Amharic. "Push" (produced by Janspot J) radiates lovestruck desire in a busy mix that exudes confidence and style.

SXSW Schedule:

Hometown: Birmingham, Alabama

Genre: R&B

Why We're Excited: Recording under the name Love Moor, Erica Andrew makes assured and ingratiating R&B that doesn't hit a nerve so much as slide under the skin when no one's looking. Producer Suaze gives Andrew's intimate vocals a smoothed-out, ethereal quality, as their shared songs often breeze in and out in two minutes or less — just enough time for them to set a mood, plant a thought and disappear.

SXSW Schedule:

Hometown: Bloomington, Indiana

Genre: Soul

Why We're Excited: In recent years, we've lost several modern-day standard-bearers of vintage soul, including Sharon Jones and Charles Bradley. So it's a heartwarming treat to hear the torch passed to a new generation of spirited future stars like Durand Jones, a Bayou-bred belter whose recent debut rings that much truer for its $452.11 budget.

SXSW Schedule:

Hometown: Brooklyn, New York

Genre: Neo-soul

Why We're Excited: Adrian Daniel's modern R&B slithers and shape-shifts alluringly, propelled by a commanding falsetto that's practically engineered to make knees quiver. In "This City," Daniel performs with the commitment of a veteran balladeer, but his sonic surroundings situate him firmly in the present day.

SXSW Schedule:

If you haven't heard "Namesake," one of the many wildly joyous highlights of Tunde Olaniran's 2015 debut Transgressor, take a few minutes to listen before proceeding with... well, anything in your life. A boundlessly inventive ode to individuality, it sounds, appropriately enough, like nothing else.

With host Linda Holmes still in Los Angeles, where she's attending the Televisions Critics Association press tour, Glen Weldon and I have assembled without her for a discussion of director Kathryn Bigelow's new film, Detroit. We're joined by our pals Gene Demby (from NPR's Code Switch) and Aisha Harris (who hosts Slate's Represent podcast).

Last week brought a flurry of news about a new batch of unreleased Prince songs — six, to be exact, culled from sessions the late star had recorded between 2006 and 2008 — most of which remain unreleased after Prince's estate obtained an injunction blocking their distribution.

While Linda Holmes was finishing the first draft of her novel while vacationing in the bucolic wonderland of rural Virginia, the rest of us were left to assemble an episode of Pop Culture Happy Hour without her. So Glen Weldon and I tackled a pair of pop-cultural entities who've freshly returned from varying degrees of absence — namely Dave Chappelle, who on March 22 released a pair of stand-up specials via Netflix, and CHiPs, the late-'70s and early-'80s cop show that's just seen a big-screen reboot.

Pages