WCSU

Stephen Thompson

If you haven't heard "Namesake," one of the many wildly joyous highlights of Tunde Olaniran's 2015 debut Transgressor, take a few minutes to listen before proceeding with... well, anything in your life. A boundlessly inventive ode to individuality, it sounds, appropriately enough, like nothing else.

With host Linda Holmes still in Los Angeles, where she's attending the Televisions Critics Association press tour, Glen Weldon and I have assembled without her for a discussion of director Kathryn Bigelow's new film, Detroit. We're joined by our pals Gene Demby (from NPR's Code Switch) and Aisha Harris (who hosts Slate's Represent podcast).

Last week brought a flurry of news about a new batch of unreleased Prince songs — six, to be exact, culled from sessions the late star had recorded between 2006 and 2008 — most of which remain unreleased after Prince's estate obtained an injunction blocking their distribution.

While Linda Holmes was finishing the first draft of her novel while vacationing in the bucolic wonderland of rural Virginia, the rest of us were left to assemble an episode of Pop Culture Happy Hour without her. So Glen Weldon and I tackled a pair of pop-cultural entities who've freshly returned from varying degrees of absence — namely Dave Chappelle, who on March 22 released a pair of stand-up specials via Netflix, and CHiPs, the late-'70s and early-'80s cop show that's just seen a big-screen reboot.

Pop Culture Happy Hour entered this week juggling a couple of problems. For one, a gigantic blizzard had just dumped roughly two feet of snow on the D.C. area, making transportation virtually impossible and, it turns out, stranding Glen Weldon in a Virginia cabin for much of the week. Getting the gang together would be no easy task.

Last week, when Linda Holmes, Glen Weldon and I gathered to talk about the great summer entertainment we'd neglected to discuss on the show, we came to a realization mid-taping: All three of us had been watching, and loving, the USA Network series Mr. Robot, which aired the last episode of its first season Wednesday night. (It's already been renewed for a second season.)

A couple weeks ago, Code Switch blogger Gene Demby and I sat down to reflect on a decade-old sports moment — a single play in a single game — and describe how it affected us as rival fans of the teams involved. In this second episode of the series we're calling The Giant Foam Finger, the two of us tackle a far unwieldier subject: hatred.

We talk a lot about nostalgia on Pop Culture Happy Hour — about the ways entertainment has shaped our youth and placed our memories in perspective — but in doing so, we've mostly discussed movies, TV shows, music, books, board games, that sort of thing.

Just a little less than five years ago, Linda Holmes and I decided to book a studio after-hours and record what we'd call "an audio experiment" — a roundtable discussion of pop culture with the two of us and our pals Trey Graham and Glen Weldon, produced by the essential Mike Katzif. By the time the first recording was complete, we'd decided to come back every week, even though our budget was zero and we'd never asked our bosses for permission.

This week's taping presented us with a few conundrums: Host Linda Holmes had already begun her vacation, while I know jack-all about the seven accumulated seasons of Mad Men, whose finale we were duty-bound to discuss. Our solution involved a pair of our most beloved guest panelists — Gene Demby and, from a studio in L.A., Barrie Hardymon — and a brief interregnum in poor Linda's vacation. (I stayed home and ate snacks.)

Last Friday, Netflix dropped its latest 13-episode bundle of original programming: the grim and occasionally grisly superhero drama Daredevil, based on the Marvel Comics mainstay of the same name. Starring Charlie Cox and a large supporting cast, the show takes place in a bleak New York City neighborhood that's ruled by a murderous crime syndicate and defended by blind lawyer Matt Murdock, whose other heightened senses make him an oft-overmatched but extremely resourceful crime-fighter.

Shamir is best known for his buoyant, elastic electro-pop-rap song "On The Regular," but his live shows careen in altogether different directions. For one, the 20-year-old Las Vegas native sings far more often than he raps, with a high but rich voice versatile enough to accommodate Sylvester-esque disco, sleekly modern pop and robust funk.

As the patriarch of the Staple Singers, Roebuck "Pops" Staples presided over some of the most crucial music of the 20th century, as his family band lent a righteous soundtrack to the Civil Rights Movement, crafted song standards ("Respect Yourself," "I'll Take You There," et al) and functioned as a cross-genre conscience that spanned soul, gospel, blues, folk and rock music.

With Glen Weldon tweeting from the various paradises of Barcelona, this week's Pop Culture Happy Hour calls on the services of two familiar Code Switch pals — Kat Chow and Gene Demby — to discuss the eternal recycling of unlikely pop-culture franchises. We use the July return of Sailor Moon as an excuse to talk about everything from Girl Meets World to Hocus Pocus, George of the Jungle, Newsies, Transformers and more.

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