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Mandalit del Barco

As an arts correspondent based at NPR West, Mandalit del Barco reports and produces stories about film, television, music, visual arts, dance and other topics. Over the years, she has also covered everything from street gangs to Hollywood, police and prisons, marijuana, immigration, race relations, natural disasters, Latino arts and urban street culture (including hip hop dance, music, and art). Every year, she covers the Oscars and the Grammy awards for NPR, as well as the Sundance Film Festival and other events. Her news reports, feature stories and photos, filed from Los Angeles and abroad, can be heard on All Things Considered, Morning Edition, Weekend Edition, Alt.latino, and npr.org.

del Barco's reporting has taken her throughout the United States, including Los Angeles, New Orleans, New York, San Francisco and Miami. Reporting further afield as well, del Barco traveled to Haiti to report on the aftermath of the devastating earthquake. She has chronicled street gangs exported from the U.S. to El Salvador and Honduras, and in Mexico, she reported about immigrant smugglers, musicians, filmmakers and artists. In Argentina, del Barco profiled tango legend Carlos Gardel, and in the Philippines, she reported a feature on balikbayan boxes. From China, del Barco contributed to NPR's coverage of the United Nations' Women's Conference. She also spent a year in her birthplace, Peru, working on a documentary and teaching radio journalism as a Fulbright Fellow and on a fellowship with the Knight International Center For Journalists.

In addition to reporting daily stories, del Barco produced half-hour radio documentaries about gangs in Central America, Latino hip hop, L.A. Homegirls, artist Frida Kahlo, New York's Palladium ballroom and Puerto Rican "Casitas."

Before moving to Los Angeles, del Barco was a reporter for NPR Member station WNYC in New York City. She started her radio career on the production staff of NPR's Weekend Edition Saturday with Scott Simon. However her first taste for radio came as a teenager, when she and her brother won an award for an NPR children's radio contest.

del Barco's reporting experience extends into newspaper and magazines. She served on the staffs of The Miami Herald and The Village Voice, and has done freelance reporting. She has written articles for Latina magazine and reported for the weekly radio show Latino USA.

Stories written by del Barco have appeared in several books including Las Christmas: Favorite Latino Authors Share their Holiday Memories (Vintage Books) and Las Mamis: Favorite Latino Authors Remember their Mothers (Vintage Books). del Barco contributed to an anthology on rap music and hip hop culture in the book, Droppin' Science (Temple University Press).

Peruvian writer Julio Villanueva Chang profiled del Barco's life and career for the book Se Habla Espanol: Voces Latinas en USA (Alfaguara Press).

She mentors young journalists through NPR's "Next Generation", Global Girl, the National Association of Hispanic Journalists and on her own, throughout the U.S. and Latin America.

A fourth generation journalist, del Barco was born in Lima, Peru, to a Peruvian father and Mexican-American mother. She grew up in Baldwin, Kansas, and in Oakland, California, and has lived in Manhattan, Madrid, Miami, Lima and Los Angeles. She began her journalism career as a reporter, columnist and editor for the Daily Californian while studying anthropology and rhetoric at the University of California, Berkeley. She earned a Master's degree in journalism from Columbia University with her thesis, "Breakdancers: Who are they, and why are they spinning on their heads?"

For those who are curious where her name comes from, "Mandalit" is the name of a woman in a song from Carmina Burana, a musical work from the 13th century put to music in the 20th century by composer Carl Orff.

To create the fantastical, otherworldly story in A Wrinkle In Time, the cast and crew traveled to the mountains of New Zealand and to a sequoia forest in Northern California. They also created elaborate sets on a soundstage in Santa Clarita, north of Los Angeles, which is where director Ava DuVernay was behind the camera over a year ago.

The global box office success of Black Panther is no surprise to UCLA sociologist Darnell Hunt. His annual report on Hollywood diversity argues that movies and TV shows with diverse casts and creators pay off for the industry's bottom line.

Actress Gabrielle Union started off playing teenagers on TV in the 1990s. Now, she stars in the BET show Being Mary Jane, as a powerful cable news anchor who's equally fierce in her personal life. She's also an advocate for rape survivors and an outspoken voice on many issues. And she's just written her first book, a collection of essays called We're Going to Need More Wine.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

DAVID GREENE, HOST:

And we're going to step it up a notch here. The words high energy - I mean, what an understatement when we're talking about this group of girls at a Baltimore high school. Their step performances feature stomping, clapping, chanting.

It's good to be Regina King.

For decades, she's worked in front of the camera as an actress. Now, she's building a career in the director's chair.

On the Warner Bros.' backlot in Burbank recently, King commanded the cast and crew of Animal Kingdom, TNT's new dramatic series about a family of outlaws in Southern California. It's based on an Australian movie; this version features Ellen Barkin as the matriarch, living with her four bad boy sons in a ranch-style house full of skateboards and surfboards, complete with a real, working swimming pool.

The Turkish television industry is booming.

During Ramadan, which ended this week, many Muslims — around the world — tuned in to watch Turkish TV in massive numbers.

But Turkey isn't just presenting religious programming. The country is second only to the U.S. in producing and exporting secular TV dramas — and they're becoming global hits

A 'Captive Audience' During Ramadan

Many families watch as they gather as they wait to break their Ramadan fast after sundown, says Pinar Tremblay, a columnist for the online newspaper Al-Monitor.com.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MELISSA BLOCK, HOST:

Performance artist and sculptor Chris Burden died last week of cancer. He was 69. Today, his final completed work opens to the public at the Los Angeles County Museum of Art, or LACMA. NPR's Mandalit del Barco reports.

This weekend, moviegoers will return to a legendary fictional landscape, ravaged by war and desperate for water. Mad Max: Fury Road reunites the Road Warrior with original writer and director George Miller. And this time, Max is joined by some very powerful women.

On Monday, HBO will air Tales of the Grim Sleeper, a documentary about a series of serial killings in South Central Los Angeles that took place from 1985 to 2002. A suspect was arrested in 2010. All these years later, the man accused of the crimes remains in jail and has yet to go on trial. But he — and the L.A. police department — are indicted in this film.

Soul singer Percy Sledge epitomized Southern soul in ballads like "When A Man Loves A Woman," which became a massive international hit when it came out in 1966. Sledge died Tuesday morning of natural causes in East Baton Rouge, La. He was 74.

Beasts of No Nation is the story of a West African child who is forced to join a unit of mercenary fighters. Actor Idris Elba portrays a brutal warlord who recruits the child soldier.

It's not easy to get financing for independent films. And it's not easy to get them into movie theaters. But over the past few decades, John Sloss has succeeded in doing both, and has been a key player for indie filmmakers. He's an entertainment lawyer, a talent manager, a film sales agent and a producer of films including Boys Don't Cry, The Fog of War and Boyhood, which is up for a best picture Oscar on Sunday.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MELISSA BLOCK, HOST:

When Michele Serros burst onto the literary scene in the 1990s, she was a new kind of Latina writer: She didn't speak much Spanish, she listened to ABBA and she was a vegan who liked to surf and skateboard. Her success as a writer, poet and comedic commentator made her an inspirational voice for Chicanas of her generation and beyond.

Serros, who Newsweek once hailed as a "Woman to Watch for the New Century," died of cancer Sunday at her home in Berkeley, Calif. She was 48 years old.

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