WCSU

Lars Gotrich

That bopping beat, that thick and wobbly synth bass, those voices — it's like I'm back at a middle school dance in the Atlanta suburbs, not knowing what to do with my hands.

Frank Ocean's show on Beats 1, Blonded, has become a testing ground for new singles. First it was his collaboration with Calvin Harris and Migos, "Slide," then in mid-March, the gauzy "Chanel" rendered in several different versions throughout the set.

This is some nasty, nasty jazz. Featuring saxophonist Matt Nelson (Battle Trance), bassist Tim Dahl (Child Abuse), and drummer Nick Podgurski (New Firmament, Feast Of The Epiphany), GRID's debut album bubbles up from the East River like a toxic monster amalgamated from New York's improvised and extreme music scenes.

William Onyeabor, the electro-funk musician beloved to DJs and crate diggers, died Monday following a brief illness at his home in Enugu, Nigeria. He was 70.

The 2014 album The London Sessions wasn't so much a revitalization of Mary J. Blige's decades-long career as a way the R&B singer could reframe her music, with producers and songwriters attuned to her emotional and vocal range. Now Blige is back with Strength Of A Woman, due out this year on Capitol.

There are so many ways to be, so many ways to love and be loved. With last night's announcement of her long-awaited new album, Here, Alicia Keys offers a new song, "Blended Family (What You Do For Love)," featuring a verse from rapper A$AP Rocky. It's an acoustic guitar-driven song, decorated by cascading piano and a boom-bap beat, about starting a new family with a son from a previous marriage, mirroring Keys' own life.

Solange announced her new album, A Seat At The Table, on Tuesday, calling it "a project on identity, empowerment, independence, grief and healing." Now the follow-up to 2012's excellent True EP is here, accompanied by a book, and featuring spots from Kelela, Q-Tip, Kelly Rowland, Lil Wayne, Dev Hynes, Sampha, Moses Sumney, The-Dream, BJ the Chicago Kid, Sean Nicholas Savage and Tweet.

We woke up to a world with a new D'Angelo album, his first in almost 15 years. For lovers of R&B and soul — hell, for lovers of music that transcends — this is unreal.

In the noise-improv trio Borbetomagus, Jim Sauter hooks bells with Don Dietrich to obliterate any notion you have of the saxophone (sorry, birthday boy Adolphe Sax). In Oneida and Man Forever, Kid Millions is a psychedelic shaman of the drums. In "Game Jump," Sauter issues a brief warning that sounds something like a zombie-infested cruise ship bellowing its final notes before it plummets into a blood-freezing ocean. Then it's on.