WCSU

Glen Weldon

Matt Kindt is a storyteller so fully in control of his gifts that his graphic novels — 3 Story, Revolver and others — read like quietly compelling arguments for the comics medium's narrative potential.

In The Time Traveler's Wife, Audrey Niffenegger married her gently wry sensibility to a classic science-fiction conceit, and the result became a literary sensation — as much a tried-and-true staple of book-club culture as cheap malbec.

This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.

In his slim but beguiling novel Equilateral, Ken Kalfus places us inside the heads of his characters with such deftness that the line between what is true and what they believe to be true fades to obscurity. It's no coincidence that the heads in question belong to scientists who pride themselves on their evidence-based worldview; Kalfus delights in having readers continually gauge and recalibrate the distance between the world and his characters' seemingly objective observations of it.

OK, yes: To gay comics fans like me, DC Comics' decision to hire an anti-gay activist like Orson Scott Card to write Superman — an iconic character who exists to represent humanity's noblest ideals of justice and compassion — is deeply dispiriting.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

In 2012, several high-profile comics creators added landmark works to their already impressive legacies. With Building Stories, Chris Ware offered 14 volumes of comics, each with its own meticulous, anagrammatic take on despair, and stuffed them into a box.

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