WCSU

Glen Weldon

Israeli graphic novelist Rutu Modan's deceptively clear and simple line work — she can conjure a face in two dots and a single, expressive pen stroke — is a deliberate artistic choice. Narratively, Modan's work (including the acclaimed Exit Wounds and her Jamilti and Other Stories) lives in the realm of the indistinct, the undefined and the hotly disputed. In her books, conflicts between family members, lovers and nations all occur in the context of Jewish cultural history.

NPR has obtained [or invented, whatever] an excerpt of the draft script for Zack Snyder's much-rumored sequel to the hugely successful Man Of Steel. The script, which was found in a booth at the Coffee Bean and Tea Leaf on La Cienega, suggests that the distinctive tone set by Christopher Nolan's Dark Knight trilogy and adopted by Snyder's Man Of Steel will continue to inform the expanding cinematic universe of DC Comics characters.


JUSTICE LEAGUE: THE MOVIE

Screenplay by David S. Goyer

Take heart, ye spandex-haters: Zack Snyder's steroidal yet sensitive Man of Steel is not a superhero film.

Full disclosure: Over the past two years, this reviewer has spent a great deal of time thinking about superheroes in general and Superman in particular. Less than some, perhaps, but more — it's safe to say — than most of you reading these words, as you debate whether or not to duck out of the heat this weekend to take in Snyder's latest summertime smash-em-up.

Hey, Monkey See readers. It's me, your old pal Glen. Look, I know you haven't seen me around these parts very much over the last year or so, but ...

Mm? What's that?

Why, yes, I have "put on a few," as you say. How nice of you to notice. And just ... blurt out. Free as you please. Like that. Gosh I've missed us.

Matt Kindt is a storyteller so fully in control of his gifts that his graphic novels — 3 Story, Revolver and others — read like quietly compelling arguments for the comics medium's narrative potential.

In The Time Traveler's Wife, Audrey Niffenegger married her gently wry sensibility to a classic science-fiction conceit, and the result became a literary sensation — as much a tried-and-true staple of book-club culture as cheap malbec.

This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.

In his slim but beguiling novel Equilateral, Ken Kalfus places us inside the heads of his characters with such deftness that the line between what is true and what they believe to be true fades to obscurity. It's no coincidence that the heads in question belong to scientists who pride themselves on their evidence-based worldview; Kalfus delights in having readers continually gauge and recalibrate the distance between the world and his characters' seemingly objective observations of it.

OK, yes: To gay comics fans like me, DC Comics' decision to hire an anti-gay activist like Orson Scott Card to write Superman — an iconic character who exists to represent humanity's noblest ideals of justice and compassion — is deeply dispiriting.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

In 2012, several high-profile comics creators added landmark works to their already impressive legacies. With Building Stories, Chris Ware offered 14 volumes of comics, each with its own meticulous, anagrammatic take on despair, and stuffed them into a box.

Pages