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Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

They're simply an abundance of euphoria. The Dirty Dozen Brass Band blasted the Tiny Desk with a Sousaphone, trumpets, saxophones, guitar and drums, at stunning volume, for a joyful celebration.

This band has been mixing be-bop and funk for 40 years. Around this time of year, when Mardi Gras revelry is fueled by New Orleans jazz, it was so good to feel their sounds in the office. Since today is Fat Tuesday — just before Lent and its fasts begin for some — we are sharing the party we hosted, filled with brass and sass from this fixture of great American music. Enjoy.

Patrick Jarenwattananon has been the backbone of our jazz coverage almost since NPR Music started in 2007. Patrick came to us as a 22-year-old intern and shortly after began covering legendary and rising jazz luminaries like a veteran journalist. His writing for A Blog Supreme captured the spirit of the jazz community and was a rich resource for thoughtful coverage on this living American musical culture.

Gregory Porter's healing soul music sends a message of compassion, and he's got a baritone voice that resonates love. When Porter visited NPR, we'd just learned that our colleague, photojournalist David Gilkey, had been killed while working on a story for NPR in Afghanistan. When Porter began singing the calmly beautiful "No Love Dying," he may not have known how much it would mean to us.

Today we're thrilled to announce that the winner of the Tiny Desk Concert Contest is Fantastic Negrito.

Close your eyes and listen, and you might imagine someone who looks a bit like Otis Redding. Open them, and you're likely to see someone who looks more like your neighborhood bank teller.

Our goal for this special holiday Tiny Desk Concert is simple: to bring you joy. Preservation Hall Jazz Band is a hot and historic outfit from New Orleans, and its members brought us a tuba-wielding Santa and some original holiday cheer and praise — what they call a Cajun Christmas from the French Quarter.

In a small, packed Washington, D.C., living room late one December night, I heard a cacophony of horns, keys, drums and guitars that simply floored me. It was brash, zany, brainy, scary and danceable. At the end of a long year of amazing live music, this would turn out to be one of the most memorable concerts I'd seen.